I've not really made a song and dance about it, because on at least one level I was convinced that someone would realise they'd made a mistake and stop me from doing it before I even began, but a while ago I was approached about taking on the position of Features Editor of Vector: The Critical Journal of Science Fiction.
I can't claim that I'm the most qualified person for the job, but I can promise that I'll devote all of my available energies to doing the very best work that I can. I've been a member of the BSFA for a few years and have enjoyed reading Vector and contributing reviews for the journal.
So from now on, for the foreseeable future (or until they realise their mistake...), I'll be editing four issues a year and writing the famous "Torque Control" editorials to open each one. I don't have any sort of grand vision for the journal, in fact for the first few issues I'll just be happy if I don't stuff it up completely and no one notices that the editor has changed. That said, once I'm comfortable enough to feel like I can begin to change things, I do want to move Vector towards being more representative of modern science fiction, and of the BSFA membership.
In my mind this means a more diverse journal. Diverse in terms of the different formats of science fiction itself (not just books, TV and film), but also diverse contributors and topics which reflect more than just the white middle-class, middle-aged male perspective. And yes, I realise that I'm already into negative equity being an editor who fits into at least three of those four old-guard criteria, and who - worse - is replacing a female editor, Shana Worthen, who did sterling work in the post. But Shana has moved onto pastures new, and new challenges, and I've been asked to take the job so here I am.
I'm going to post the contents page of each of my issues here once they go to print. If you're interested in seeing the work and being involved in the British Science Fiction scene then why not consider joining the BSFA?
If you're interested in contributing to Vector then get in touch, you don't need to be a member to submit articles and I'm willing to read anything by anyone. I'll be publishing based on merit and whether of not the material is appropriate for the journal, not on discriminatory grounds (either positive or negative), but I will be encouraging more submissions from more diverse sources.
Imagining the Unimaginable: Speculative Fiction and the Holocaust (Bloomsbury, 2019). Monograph.
Sideways in Time: Alternate History and Counterfactual Narratives (Liverpool University Press, 2020). Co-edited Collection.