The organisation of the Current Research in Speculative Fiction [CRSF] conference has gone more smoothly than I had dared to dream it would. One or two last minute hiccups but nothing that ever seriously jeopardised the conference's existence, or its vision to present the best PG research into sf in a friendly environment. That said, there's been a tonne to do: creating the various documents needed for the delegate packs, relaying information backwards and forwards between the key note speakers, the conference team, and the delegates. It has, however, been amazing. In all the hustle and bustle I almost forgot to write my own paper, and the biggest source of stress has been putting something together I won't be ashamed to present to my peers. I think I'm finally there now with a paper titled: "Alternate Histories and the Paratextual Instinct: Categorising the Form", hopefully it won't be too dry...
Science Fiction exhibition at The Science Museum in London.
Imagining the Unimaginable: Speculative Fiction and the Holocaust (Bloomsbury, 2019). Monograph.
Sideways in Time: Alternate History and Counterfactual Narratives (Liverpool University Press, 2020). Co-edited Collection.